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to the slurpy catchyness of “Worried Sick
the brief tracks (rarely more than two minutes in length) were seemingly designed to be interstitial compositions and sound sketches for use in some imaginary film or documentary
They still play music
crafted not just to be heard
Fahey takes on a different kind of provocation in the two acoustic guitar-based tracks closing Side 1 - "Morning" parts 1 and 2 - the first of 4 recordings in this session that have him wrestling with the ghost of Skip James
TIM HECKER - Harmony In Ultraviolet DLP Metal to the slurpy catchyness ofHarmony in Ultraviolet is TIM HECKERs sixth album. It is a continuation of Hecker's interest in spectral communications, noise, impressionist musics, thresholds of listening pleasure pain, and the limits of digital composition. This album is a significant development of his song craft, challenging the usefulness of descriptors such as ambient, drone, metal, noise and even electronic music. If references are necessary it could be described as a sonata