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August Göhring and Luise Terletzki-Scherf shaped the unmistakable style of the manufactory by giving their figures an idiosyncratic character in addition to a lifelike representation and unique colours
It was integral in securing a place of honour in the history of European art for the South German Rococo beyond the Bavarian borders
Theodor Kärner's hare Lamprecht originally created in 1913 is a star among the long eared creatures in Nymphenburg
Even the tiniest detail is incorporated into the rhythm of the forms in all its subtleties
schuf auch die Vorlagen für diese Bemalung mit bayerischem Wappen und blau-weißer Randdekoration
10001527 fisch August Göhring and Luise Terletzki-ScherfAre all lions the same? Nothing of the sort. Twenty different variations of what is probably the most famous symbol of Bavaria can be found in the current collection of the manufactory. The majestic, heraldic animal plays a role in the history of Nymphenburg in two ways: On the one hand, it embodies the Bavarian culture and refers to the location of the manufactory and on the other hand the lion the symbol of the Royal House of Wittelsbach, the