WIRE - 154 LP Stoner who has always created the

who has always created the band’s visual art

Lawrence" and many more were recorded) and released on CD only for the Japan market in 1999

Norma Jean and Slayer

Jungstötter) on double bass

is a brain boggler through the storied terrain that Jon Hassell once charted

WIRE - 154 LP Stoner who has always created the1979's 154 represented the final tableau in Wire's Harvest released 70's triptych and was the first Wire album to be released to a universal set of five star reviews from the British rock weeklies. Thus it represented the point when the British 'pop culture establishment' publicly recognised Wire's primacy. "154 makes 95 percent of the competition look feeble," wrote Nick Kent in the NME, "Wire are achieving a lot of things other and more recognised