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And in October, 1936, when William Faulkner published a very different story of the South and the causes and effects of the war, “Absalom, Absalom!,” the Times, in a review typical of those the book received, credited it with “one of the most complex, unreadable and uncommunicative prose styles ever to find its way into print.” Like “The Sound and the Fury” and its other predecessors, Faulkner’s new work won only occasional, if intensely felt, praise—for its moral vision, and for what Mitchell’s home bastion, the Atlanta Journal, recognized as the “first real step forward” in the novel form “since ‘Remembrance of Things Past.’ ” Fourteen years before Faulkner was awarded the Nobel Prize in Literature, fifteen years short of the work’s reissue as a Modern Library classic, “Absalom, Absalom!” sold about seven thousand copies, and then disappeared from the shelves
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